The Cult of Mithras in Roman Britain

The religion of Mithras was spread all throughout the Roman Empire, and he became popular not only with slaves, but with the Roman soldiers. It is my intention to look at the cult of Mithras in Roman Britain using the information left by the archaeological record.

First, let us define who Mithras was. Mithras was the Persian deity of the sun, truth and light, although it must be stressed that it is difficult to establish when the ancient Persians connected Mithras with the sun, since ancient Iran had a different solar deity (Edwards, p.2). Once Persia was under Rome’s authority, the religion of Mithras rapidly spread across the Roman Empire.

The military background to Mithraism in Britain is well known to academics and its reputation among the military seems to indicate the cult was most active amongst the veterans stationed near temples and mithraea, small basilical buildings resembling caves where ceremonies were performed.

Due to the deliberate water-logging of the mithraea at Carrawburgh near Hadrian’s Wall in the late Roman period, this mithraea is very well-preserved and can offer us great insight into the significance of the cult of Mithras. The temple itself was built in the early 3^rd century CE, and indicates that the fire that destroyed it could have been deliberate (King, p.354). We have evidence that animal sacrifice was practiced in early to mid 3^rd century CE, as the floor of the narthex was covered in the bones of sheep, goat, pig and ox. Bones of chickens were found amongst a large amount of heather. This has been “interpreted as ritual offerings, either as general sacrifices to Mithras or as part of an initiation ceremony and subsequent ritual meal” (King, p.355). This evidence indicates that these sacrifices were carried out with deliberation, and were clearly significant to the participants involved. It should be noted, however, that due to the complex and secret theology of Mithraism, offerings to the deity are likely to have been undertaken only within the mithraea itself (Stocker, p.360).

Among the different minor animals that have been portrayed on known Mithraic representations, the bull, dog, scorpion and the serpent have all played an important role in the Mithraic myth. However, until recently, no known text recorded the role these animals played, so that “interpretation of the artistic representations and the various group scenes on the art-monuments remains an open field for scholarship” (Oikonomides, p.88).

The significance for Mithraism in Britain is highly important, not only the religion’s own internal history, but also for the religious identity and history of Rome. Instead of the stereotyping view that Rome forced its religious identity onto its conquered people, the study of Mithraism allows us to see clearly that Rome’s stand on religion was more fluid than fixed. The archaeological remains relating to the cult of Mithras indicates that the religion shared a universal identity across not only land and people, but also across time.

Bibliography:

Edwards, M. J. (1990) Herodotus and Mithras: Histories I. 131, The American Journal of Philology, The Johns Hopkins University Press.

King, Anthony (2005) Animal Remains from Temples in Roman Britain, Britannia, Society for the Promotion of Roman Studies.

Oikonomides, Al. N. (1977) A New Mithraic Tauroctony in the J. Paul Getty Museum, The J. Paul Getty Museum Journal, J. Paul Getty Trust.

Stocker, David (1998) A Hitherto Unidentified Image of the Mithraic God Arimanius at Lincoln? Britannia, Society for the Promotion of Roman Studies.